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Thursday, October 22, 2020

It’s Bollywood; faith is simply not a part of the plot, says Anupama Chopra

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“I can very proudly say that I’m part of this group,” actor Vikrant Massey mentioned of Bollywood, in an interview final month. “We’re probably the most liberal, we’re probably the most democratic, we’re probably the most inclusive society.” I’d agree.

The Hindi movie business could also be responsible of nepotism, elitism, sexism, colour-bias, stereotyping and a dumbing-down of issues, however the ecosystem has by no means been communal or exclusionary. Within the almost 30 years that I’ve been a movie journalist, I can’t recall one dialog by which an artist or technician’s faith was talked about. Or listening to that anybody obtained or didn’t get a job due to it.

Diwali is normally celebrated at events thrown by each Aamir Khan and the Bachchans. I keep in mind the business converging at a lavish Eid celebration at Shah Rukh Khan’s home proper after the discharge of Chennai Specific. Many movie households, together with Salman Khan’s, deliver a Ganpati idol dwelling throughout Ganesh Chaturthi.

Bollywood’s is a syncretic tradition. Which may be due extra to pragmatism than progressiveness. Everybody right here is chasing the Holy Grail — a blockbuster — and can work with whoever serves the trigger. The supreme deity worshipped is the field workplace.

Secularism has an extended historical past within the business. In his biography, Sahir Ludhianvi: The Individuals’s Poet, creator Akshay Manwani quotes the author Khwaja Ahmad Abbas, who, like Sahir, was a part of the Progressive Writers’ Motion.

Abbas is writing a few procession for communal concord organised in Bombay on the eve of Independence, in 1947. Within the procession have been members from 52 movie business associations. Because it moved from Gateway of India to Bandra, Abbas writes that the procession handed “via solely Hindu and Muslim areas, thus eradicating the unseen limitations that have been dividing Bombay into little bits of ‘Hindu Bombay’ and ‘Muslim Bombay’.”

Within the procession, which Abbas describes as a ‘grand success’, have been Prithviraj Kapoor and his younger sons Raj Kapoor and Shammi Kapoor, Balraj Sahni, Chetan Anand and Dev Anand; in one other truck rode the writers Kaifi Azmi, Sahir Ludhianvi and Majrooh Sultanpuri.

A present of energy like this appears unimaginable immediately. Bollywood is polarised alongside political traces. The financial affect of the pandemic and virtually 4 months of battering following Sushant Singh Rajput’s tragic loss of life have left the business fractured and devastated.

Conversations are thick with dread and paranoia. However the essence of inclusion stays the identical. As Javed Akhtar mentioned to me just lately: “Relating to movie-making, communalism or regionalism or any bias won’t work… They’ll’t afford to be communal. Solely these individuals who don’t have direct stakes may be communal.”

Is that this what makes the powers that be so nervous? Is that why there may be such a centered effort to muzzle artists with worry and trolling? Which has been efficient, a minimum of for now. Artists are mendacity low as a result of they’re thinking about telling tales, not in getting caught in cultural crossfire that ends in shrill abuse on social media and requires bans on the work they’ve created.

However in the long term, this strategy can’t work. As a result of movie is a collaborative artwork constructed on expertise. Within the movie Mee Raqsam (launched this August; directed by Baba Azmi, offered by Shabana Azmi and devoted to their father, Kaifi Saab, who was an ardent advocate of India’s composite tradition), the protagonist Salim places it eloquently. Defending the appropriate of his teenage daughter to study Bharatanatyam, Salim says, “Kala ka koi mazhab nahin hota.” Precisely.



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